The
James Bond films have little touches of
everything: suspense, humour, romance, drama,
technology and, of course, action scenes. Over
half a century of existence, the Bond films had
breathtaking action sequences that thrilled
audiences of all over the world. Bondcollection
had the chance of interviewing a long time member
of the Bond family, who helmed many of the action
scenes of the films. We're talking about Vic
Armstrong, second unit director of Tomorrow
Never Dies, The World Is Not Enough
and Die Another Day, and stuntman in
early Bond films such as You Only Live Twice,
On Her Majesty's Secret Service, Live
and Let Die, and Never Say Never Again.
Here, we publish our online dialogue with Vic.
| |
|
|
 |
|

| Left: The
Motorcycle jump from Tomorrow
Never Dies. Right:
Vic Armstrong with stuntmen Jean
Pierre Goy and Wendy Leech, who
performed the stunt. |
|
| |
|
|
First of all, everyone at
Bondcollection want to thank you for accepting
the interview, and we want to thank especially to
the Internet which allows a group of Bond fans to
contact a very important person in the story of
007 like you. We know that the first film in
which you participated was You
Only Live Twice. How have
you been contacted to appear in the film and what
are your memories of the set of Blofeld's volcano
lair? It was as enormeous as everyone says?
I
was a very young stuntman when I was offered a
job on You Only Live Twice by a great
friend of mine, Bill Weston, who originally had
the job but was busy on 2001 so he sent
me along in his place. I was very fit and strong
and I was employed to slide down the rope into
the volcano from a 125 feet. It was awe inspiring
to see the massive volcano set and it covered the
whole area that the 007 stage is now built on.
Incidentally my father in law George Leech was
one of the coordinators that employed me along
with Bob Simmons and Dickie Graydon.
Forty
years ago On Her Majesty's
Secret Service premiered,
and you doubled George Lazenby skiing in
Switzerland. How risky were those scenes for you
and what do you think of the film's popularity
after four decades?
Luki
Leitner who was a World champion skier did all
the fantastic skiing for George Lazenby, I did
fights and falling over the precipice at the end
of the ski chase. George (Leech) was also
coincidently the stunt coordinator.
| |
|
|

| Left: Pierce
Brosnan, a crew member and Vic
Armstrong celebrate on the set of
Tomorrow Never Dies Right:
An action scene of the same film. |
|
|
 |
| |
|
|
In the unofficial film, Never
Say Never Again, your wife
Wendy Leech, who's also daughter of George Leech,
the historic stuntman and co-ordinator of the
movies, made an appearance. It was in the set of Never
Say Never Again where you
met her?
Wendy
doubled Kim Basinger and I doubled Sean (Connery)
as well as coordinating the show. Wendy and I met
on Superman 1.
You
were promoted to second unit director in 1997's Tomorrow
Never Dies. How was your
relationship with director Roger Spottiswode, and
with Pierce Brosnan?
Roger
was and is a great friend of mine and I had
worked on Air America with him. Pierce
is also a great friend and I think he should have
done one or two more Bonds because he was really
getting into it.
In
Tomorrow Never Dies,
stuntman Jean Pierre Goy and your wife doubled
for Pierce Brosnan and Michelle Yeoh motorbike
escape scene. The most memorable part was when
Jean Pierre jumps with the bike avobe Carver
goons' helicopter. Even tough the propellers
where CGI, Everybody looked nervious in the
footage of that scene. How risky was that scene?
The
jump over the helicopter was extremely dangerous
and Jean Pierre did a magnificent job. As usual I
tried to make everything shot for real, not CG,
and that was the result.
| |
|
|

| Left: Vic
Armstrong directs the ski chase
scene of The World Is Not
Enough. Right: The
onscreen result. |
|
|
 |
| |
|
|
Roger Spottiswoode was
experienced in action movies, unlike Michael
Apted, director of The World
Is Not Enough. It was
complicated to work with a director who is not
experienced in action/adventure films?
Sometimes
it is easier to work with directors that do not
know action as long as they leave it to me,
Michael was wonderful and said he would follow my
lead and I think we came up with some great stuff
together.
Die
Another Day is, up to date,
your last Bond film. As a second unit director,
What can you say to those who think the action
scenes in the film was very unrealistic?
I
think that Lee Tamahori came up with a some
dreadful scenes on Die Another Day but
as director he had the last say. The scene with
Pierce (Brosnan) at the end of the car chase was
exceptionally bad and I was annoyed because they
cut out a lot of fantastic car footage on the
frozen lake in Iceland to put in the parachute
nonsense.
| |
|
|
 |
|

| Left: Bond's
Aston Martin Vanquish is struck
by a missle of Zao's Jaguar in Die
Another Day. Right:
The hovercraft chase in Die
Another Day. |
|
| |
|
|
What do you think of Casino
Royale and Quantum
of Solace and why haven't
you worked on that films?
I
thought Casino Royale was great film and
really kicked ass, but Quantum of Solace
was dreadful and nothing like a Bond. I did not
work on them because the directors quite rightly
wanted their own choice of people.
In
your opinion, Marc Forster was a good director?
Many of us think that because of his inexperience
in thrillers allowed second unit director Dan
Bradley to exceed in Jason Bourne like style
techniques that not always fit with the Bond
style.
I
thought the action in Quantum of Solace was
awful and far too Jason Bourne the style of which
is very confusing with no geography. It was not a
Bond I do not think.
Talk
us a little about your next projects. Is any of
them including Argentina as a location?
I
have just finished The Green Hornet
which has a great car chase in it and I am just
starting Thor. After this I may be doing
a film in South America in Brazil but it could
end up in Argentina which I would love.
|